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FICTION | By Audrey Austin »
“You can’t make me do it again!” the old man shouts.
I hear the alarm in his voice. I see the fearful determination in watery blue eyes narrowly set above a nose that shows obvious signs of earlier breakage; a boxer’s nose but I know this man has never in all of his eighty-one years participated in the sport of pugilism.
And how do I know this? Because I am beside myself! Not only do I feel beside myself, I’m outside of myself watching the too familiar unfoldment of a scene better viewed by a theatre-goer than from behind the drama playing out at my old scratched-up kitchen table.
“Sign the damn cheque!”
I prefer being detached and don’t want to return but I can’t bear to watch the old man struggle alone any longer. Back inside my body I immediately feel the pain I had managed to escape for a brief interval, not that it doesn’t break my heart and not that it isn’t painful to see the old man being abused. But to escape the physical agony of large masculine hands clapping ears as one would a bass drum in a marching band offers some relief.
I find my voice and repeat my vow. “No, Tom, you can’t make me do it again!”
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FICTION | By Gloria Jean » Winter had arrived in its entire splendor. Stately old pines drooped with last night’s snowfall, the canyon countryside now a soft white vista. My ski trail had become rocky and worn; this new cover would smooth it out nicely.
I had skied this canyon trail for years, mostly alone. Few people I knew enjoyed the solitude the trail offered. They preferred the well-traveled ski trails of cross-country clubs. My tastes ran to peace and quiet of the back country, and the views from ridges I had known since childhood. Throughout my twice-weekly jaunts here, I could count on my right hand the number of people I had met on the trails.
These were not the groomed trails of ski clubs. I plowed through knee-deep snow myself each winter to create an elaborate network of paths. My choice of path depended on whether I wanted to ski the lake, or up on the high canyon ridges. It boiled down to energy level. The lake was easier by far.
Today was a Christmas card day, the spectacular scenery unfolding as I tackled the ridge above the tree line. An old trappers’ cabin was barely visible from the ridge. No one had been there for a decade or more, the last owner now in a nursing home where our bluegrass band volunteered.
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Fiction | By Charles Pinch »
«For Frances, every last word of it…»
You have to understand. You have to understand that it was real boulle. That is, translucent sheets of hawksbill turtle shell sliced wafer thin and applied over the wooden carcass of the bureau Mazarin. Curving shapes had been cut into its surface and into the shapes berainesque appliqués of smooth glittering brass (and sometimes dyed horn) had been glued with great care. And then there was the matter of the bronze attachments. That would be bronze d’ore in this case, perfectly fitted ‘slippers’ enclosing the curved feet, sabots to be precise. Prince Nathan would be quick to point out the indelicacy of using English words to describe les montres francais. So it was real boulle. Not the later desecrations of the same name you find in the bumbling stuff-shirt 19th Century. Resin and painted spelter and God knows what else!
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FICTION | By Shirley Green » Just as the end of October ushered in that time of year when the veil is thin between the worlds of the living and the dead, November descended with shrieking winds that tore through bare branches and rain that cried down window panes bemoaning autumn’s loss.
As she stood on the only grassy spot left in front of 171 Wicker Lane, Suzanne was crying too; crying for the loss of an old friend and foe. Only memories remained. From her solid cement-block foundation to the rust red shingles, she had been Suzanne’s solid refuge against the overwhelming onslaught of childhood’s daily life.
171 Wicker Lane had been built on a grand scale. Her outer dress had been cream coloured stucco, and the distinct placing of brown painted beams at both ends along with two chimneys rising on the front of her roof, had given her the right to be called ‘Tudor Style’ architecturally. And now she was gone.
Nothing remained but a pile of rubble. She had burnt beyond recognition.
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FICTION | By Audrey Austrin
“Dear Rolland, There was a moment when things were somewhat placid in our lives. A moment when I thought that nothing was more beautiful, more inviting or more calming than our existence. I’m so sorry about what happened but, if this makes sense, I’m even sorrier that it didn’t happen sooner…”
“Claptrap!” I shout at the TV screen. “I’m sick to death of listening to all this corny romantic babble! I can’t tolerate five more minutes of this garbage! It’s just drivel; a waste of air space so advertisers can pedal their detergents!” I push the off button on the remote plunging the living-room into sudden silence.
“Hey, I was watching that!” Harvey yells.
“It’s crap! I don’t want to watch it!” I yell back.
I turn my head and look over at Harvey wrapped in his lazy-boy chair. He’s holding a bag of Smart Pop in one hand and a can of Molson’s Canadian in the other. I love my Harvey but I wonder whatever happened to the good looking guy he used to be? That fellow left a long time ago and I have no idea where he went. The large lump in the chair is a sad caricature of the man I thought I was marrying.
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FICTION | By Hermes La Cache
Introduction
Somewhere
“My name is Marchosias and I am a Marquis. I ascended to title many years ago. My language is quite different to the one I chose today but in the interest of comprehension I feel English as good as any.
“My old home was very beautiful. Harmonisation and balance were there before us, evident within us and around us; like a cosmic ballet through a perfect symphony. It was the absolute synergy of perfection. I recall it as if it was yesterday. My old home knew no pain, no anger and no hurt. It was a living pulse, a breath felt by all those who resided there. We were found not for ever wanting.
“I intend to return one day to that perpetual bliss.
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By Patricia Anne McGoldrick » Have you ever been walking through the old-growth forest in British Columbia, visiting Gros Morne National Park in Newfoundland, whale-watching off the coast of Nova Scotia, or even exploring your own neighbourhood community?
Suddenly, the words of a poem form in your mind, an idea for a blog post surfaces but you are paperless or the weather is too cold or wet to write on that scrap of paper in your pocket.
It is a predicament that I have experienced one time too many.
Yes, I have written a poem on the proverbial paper napkin of Baker’s Cove restaurant, even outlined a story on a paper towel but there is a solution for writers. I have found something much better, all-weather products that are portable and moderately priced.
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FICTION | By Charles Pinch » For Frances, nothing before you, nothing after...
First it was ‘Oh my God! Oh my God!’ then a gulp of champagne followed by a couple more ‘Oh my Gods!’ Trish couldn’t take her eyes off it. She wiggled her finger—“Put it on, please! I can’t wait to feel it on me!”—while spectrums flashed inside the diamonds and fireworks exploded inside her head. It was the most beautiful engagement ring she’d ever seen and between the two of them they must have looked at hundreds.
The center stone was easily a carat (must have cost you, baby!) and that was surprising. The diamonds in the other rings they’d considered weighed in at half that much.
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Debutant Isaac Crafts Grand Entrance |
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REVIEW | By Archie D'Cruz » Just as there is a sense of anticipation in picking up the latest work of a favourite author, there is also the joy of discovery when chancing upon a beautifully-penned book by an emerging star.
Storyteller, Sherry Isaac's just-released debut collection of shorts, evokes exactly that emotion. Just about every one of the 16 stories in the 216-page book is pitch-perfect, with intriguing lead-offs, characters that come to life, and surprise endings that only serve to whet the appetite for the next story in the collection.
It is a testament to the Halton Hills, Ontario-based author's skill that she not only delivers a compelling read, but does so with a level of artistry many writers can only aspire to. Perhaps that should come as no surprise; though this is her debut collection, she did announce herself to the literary world by scooping the Alice Munro Short Story Award in 2009.
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The Importance of Routine for Writers |
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WORTH READING | By Janice Gillgren » Routine can definitely help the writer. If you are a very artistic and spontaneous sort of person, you will probably feel like hitting the little cross at the top right of this web page right now, and moving on to another site. You may be the sort of person who says 'I hate routine' or 'creativity and routine don't seem to go together'.
However, think of all the most creatively talented people you know. How much would they achieve if they never actually applied themselves to regularly and consistently turning up for work?
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How To Find Your Own Writing Style |
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WORTH READING | By Susan Mary Malone » We talk a lot in this business about a writer's 'style,' and often that's an elusive issue. Not one's voice, exactly, although style incorporates voice, and not the technical aspects such as sentence structure and word usage, syntax, although those, too come under that heading. So what, exactly, IS style?
In essence, it includes the entire spectrum of the elements of writing. One can write in a minimalist style and still pen a 'Big' book. Think Hemingway, though it's in vogue these days to praise his style and slay his substance. But that's truly missing the boat. Because style BECOMES in large part the substance; the two are intertwined and by divorcing them we lose the point.
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10 Ways To Help Canadian Authors |
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RESOURCES | By Farzana Doctor » I’ve been thinking a lot about the Canadian publishing industry and how I wish more people would support Canadian writers.
Here is a little tip sheet I created. I wrote an earlier version of this when my novel Stealing Nasreen first came out (and friends and family asked what they could do to help – and it was so heartwarming how they came through for me).
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Wanna Write? Keep A Diary! |
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RESOURCES | By Cheryl Antao-Xavier » Of all the how-to’s I’ve heard on getting the creative juices flowing, jumpstarting the Muse, the one that stuck in this otherwise transient memory is something a writing teacher at Ryerson insisted upon: “Keep a journal!” he said. Or otherwise don’t come to my class is what he implied.
Every day we had to pen a paragraph, a page, or if really inspired—a full-blown article, about something, anything that we saw, felt, experienced, thought off during the day. There had to be an entry for each day, even if you sat the night before the class and wrote out seven entries.
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